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BORN 1935, Auckland, New Zealand
SELECTED SOLO EXHIBITIONS
2009
“White Stone Clear Water,” Page Blackie Gallery, Wellington, New Zealand
“The Midnight Sun,” Haines Gallery, San Francisco, CA
“Full Fathom Five,” Gow Langsford Gallery, Auckland, New Zealand (Upcoming – April 2009)
Page Blackie Gallery, Wellington, New Zealand
2008
“everlastingness,” Page Blackie Gallery, Wellington, New Zealand.
2007
“Recent Paintings,” Gow Landsford Gallery, Auckland, New Zealand
Brush Meets Brush,” San Francisco Zen Center, San Francisco, CA
“Simulasian,” Asian Contemporary Art Fair, New York, NY
“Monotypes,” Smith Anderson Editions, Palo Alto, CA
“Always in these Islands – Recent Paintings and in the New Zealand Room selected Works on Paper
1965-2007,” Nadene Milne Gallery, Arrowtown, New Zealand
2006
“Banquet,” Gow Langsford Gallery, Auckland, New Zealand
"Zen Reality,” The Gus Fisher Gallery, The University of Auckland, New Zealand
2005
“All Things Wild and Innocent,” Haines Gallery, San Francisco, CA
“Zen Beat,” Cushman & Wakerfield Inc., New York, NY (through 2007)
2004
“Max Gimblett: The Rose of Paracelsus,” Bartley Nees Gallery, Wellington, New Zealand
“The Brush of All Things,” curated by Wynstan Curnow with catalogue essays by Thomas McEvilley and
Wynstan Curnow and an interview with Barbara Kirshenblatt-Gimblett, Auckland Gallery Toi O Tamaki,
Auckland, New Zealand. Travels to the City Gallery, Wellington, New Zealand.
“A very decided bright light,” Gow Langsford Gallery, Auckland, New Zealand
“Home,” Ngaumatau Gallery, Arrowtown, New Zealand
2003
“The Dawn of Beauty,” Gow Langsford Gallery, Sydney, Australia
“True Mirror,” Haines Gallery, San Francisco, CA
“Silent Waters,” Gow Langsford Gallery, Auckland, New Zealand
“Myth,” Margaret Thatcher Projects, New York, NY
“A Shared Langauge,” Pfizer Inc, New York, NY, curated by Lisa Hatchadoorian
2002
“Beauty and Jolly Donkey Choir,” collaborations on paper by Max Gimblett and John Yau, Kevin Bruk Gallery, Miami FL
“Max Gimblett: The Language Of Drawing,” Queensland Art Gallery, Brisbane, Australia
2001
“The Brush of All Things,” Ethan Cohen Fine Arts, New York, NY
“The Silent Music,” Gow Langsford Gallery, Auckland, New Zealand
2000
“The Painted Promise”, Haines Gallery, San Francisco, CA
“Night Gold”, Gow Langsford, Auckland, New Zealand
“Bridge” Margaret Thatcher Projects, New York, NY
1998
“Path”, The Jensen Gallery, Wellington, New Zealand
“Spirit”, Gow Langsford, Auckland, New Zealand
1997
“Face of Silence”, Haines Gallery, California
“Holy Smoke”, Gow Langsford Gallery, Auckland, New Zealand
“Ganesha”, The Jensen Galley, Wellington, New Zealand
1996
"Paintings," Haines Gallery, San Francisco, California
"Forge," Jensen Gallery, Wellington, New Zealand
1995
Haines Gallery, San Francisco, California
Museum of Contemporary Religious Art, St Louis, Missouri
"Ancient Future," Sherman Galleries, Sydney, Australia
"Axis Mundi," Gow Langsford Gallery, Auckland, New Zealand
"Crossing Full Tilt," Jensen Gallery, Wellington, New Zealand
"Geos - Paintings, Works on Paper, Prints 1977-1982," GowLangsford Gallery, Auckland, New Zealand
1993
"Prescence," Haines Gallery, San Francisco, California
"Oracle," Gow Langsford Gallery, Auckland, New Zealand
"Radiant Path-Works from 1965-1993," Fisher Gallery, Pakuranga, New Zealand
"Threshold of Light," Jonathan Jensen Gallery, Christchurch, New Zealand
"Tablets of Light," Michael Milburn Gallery, Brisbane, Queensland, Australia
1992
"Templar," Jan Turner Gallery, Los Angeles, California
"Crossing Full Tilt," Horodner Romley Gallery, New York, New York
"Inside Star," The Getty Center for the History of Art and the Humanities, Santa Monica, California
"Shields of Light," Jonathan Jensen Gallery, Christchurch, New Zealand
1991
"Gold," Haines Gallery, San Francisco, California
"Illuminations," Gow Langsford Gallery, Auckland, New Zealand
1991
"Chrysalis," GowLangsford Gallery, Wellington, New Zealand
1990
"Objects of Alchemy," Artis Gallery, Auckland, New Zealand
1989
"Four to the Fourth," Genovese Gallery, Boston, Massachusetts
1989
"Shapes of Change," Artis Gallery, Auckland, New Zealand
"Shapes of Time," Brooker Gallery, Wellington, New Zealand
"Vessel-Drawing with Color," Brooker Gallery, Wellington, New Zealand
1988
"White Room Program, " White Columns, New York, New York
"Max Gimblett Paintings," LedisFlam Gallery, Brooklyn, New York
"Dragon Hum: Paintings, 1987-1988," Artis Gallery, Auckland, New Zealand
"Gems," Northland Society of Arts, Whangarei, New Zealand
1987
"Silk Route: Screen Prints and Recent Paintings," Genovese Graphics, Boston, Massachusetts
"New Paintings and Paper Works, " New Zealand Consulate-General, New York, New York
"Selections from the Chartwell Collections: Max Gimblett," Hamilton Art Center, Hamilton,
New Zealand
1986
"Pacific Paintings, 1984-86," Artis Gallery, Auckland, New Zealand
"Pearls of the Pacific," Hogarth Galleries, Sydney, Australia
"Paintings and Works on Paper, 1977-1986," Hamilton Art Center, Hamilton, New Zealand
1985
"Selected Paintings from Twenty Years," R.C. Erpf Gallery, New York, New York
"Transformation: Paintings on Paper, 1983-85," Modernism, San Francisco, California
New Vision Gallery, Auckland, New Zealand
1984
R.C. Erpf Gallery, New York, New York
"Transformation," Auckland City Art Gallery, Auckland, New Zealand
1983
"Ambient Color Paintings, 1977-85," Modernism, San Francisco, California
1982
Galerie Nordenhake, Malmo, Sweden
Galleri Engstrom, Stockholm, Sweden
1981
"New Paintings," Peter Webb Galleries, Auckland, New Zealand
"Works on Paper," RKS Art, Auckland, New Zealand
1980
Modernism, San Francisco, California
Barry Lett Galleries, Auckland, New Zealand
1979
Nielsen Gallery, Boston, Massachusetts
Connecticut College, New London, Connecticut
New Zealand Embassy, Washington, DC
Barry Lett Galleries, Auckland, New Zealand
Brooke/Gifford Gallery, Christchurch, New Zealand
Dowse Art Gallery, Lower Hutt, New Zealand
Govett-Brewster Art Gallery, New Plymouth, New Zealand
1978
Cuningham Ward Gallery, New York, New York
Marion Koogler McNay Art Institute, San Antonio, Texas
Laguna Gloria Art Museum, Austin, Texas
Casat Gallery, La Jolla, California
Barry Lett Galleries, Auckland, New Zealand
Waikato Art Museum, Hamilton, New Zealand
1977
Barry Lett Galleries, Auckland, New Zealand
Govett-Brewster Art Gallery, New Plymouth, New Zealand
1976
Cuningham Ward Gallery, New York, New York
Nielsen Gallery, Boston, Massachusetts
1971
Delahunty Gallery, Dallas, Texas
A Clean Well Lighted Place, Austin, Texas
SELECTED GROUP EXHIBITIONS
2009
“The Third Mind: American Artists Contemplate Asia, 1860 – 1989,” curated by Alexandra Munroe, Solomon R. Guggenheim Museum, New York, NY. Traveling to the Nelson-Atkins Museum of Art in Kansas City,
MO and will be on view September 26, 2009 - January 3, 2010.
2008
“Drawings,” Sue Crockford Gallery, Auckland, New Zealand
“Edges of Darkness (black in art),” Hamish Morrison Galerie, Berlin, Germany
Hamish Morrison Galerie, Shanghai Art Fair, Shanghai, China
“Fundamental Abstraction II – In Memory of Kim Wauson,” Haines Gallery, San Francisco, CA
“Maui,” The Suter – Te Aratoi o Whakatu, Nelson, New Zealand
2007
"On Paper," Haines Gallery, San Francisco, CA
"Editions," Tinakori Gallery, Wellington, New Zealand
“Simulasian,” Inaugural Contemporary Asian Art Fair, New York, NY
“Catalogue Exhibition,” Gow Langsford Gallery, Auckland, New Zealand
2006
“Contemporary Collections,” Gallery of Modern Art, Brisbane, Australia
“Director’s Choice – Consumption Junction,” Haines Gallery, San Francisco, CA
“Catalogue Exhibition,” Gow Langsford Gallery, Auckland, New Zealand
“Line and Surface,” John Leech Gallery, Auckland, New Zealand
2005
“Director’s Choice: Contemporary Art with Objects from Asia,” Haines Gallery San Francisco, CA
“MGM-McCahon, Gimblett, Motherwell,” Gow Landsford Gallery, Auckland, New Zealand
“Gulgoleth,” Gow Langsford Gallery, Auckland, New Zealand
“Catalogue Show,” Gow Langsford Gallery, Auckland, New Zealand
“Blair Street Opening,” Bartley Nees Gallery, Wellington, New Zealand
“Group Exhibition,” Ngaumatau Fine Art, Arrowtown, New Zealand
2004
“Toi Te Papa Art of the Nation: 1940 – Today,” Museum of New Zealand, Te Papa Tongarewa, Wellington, New Zealand.
“Live on Paper,” MCS Gallery, Easton, PA
“35K,” Artspace, Auckland, New Zealand
“Catalogue Exhibition,” Gow Langsford Gallery, Auckland, New Zealand
2003
“All That Glitters,” Islip Art Museum, East Islip, NY
“The Invisible Thread — Buddhist Spirit in Contemporary Art,” Newhouse Center for Contemporary Art,
Staten Island, NY
“Live on Paper,” The Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville, PA
“Seeing Red: Contemporary Non-Objective Painting,” Hunter College, New York, NY
“Signs and Wonders He Tohu He Ohorere,” The Museum of New Zealand Te Papa Tongarewa, Wellington,
New Zealand
“Either/Or,” Gow Langsford Gallery, Auckland, New Zealand
“Thinking in Line – A Survey of Contemporary Drawing,” University of Florida, The University Galleries,
Gainesville, Florida, FL
“Publishing Granary’s Books: A Conversation in the Margins,” University of California at San Diego’s
Mandeville Special Collections Library, San Diego, CA
“Contemporary Printmaking,” Moravian College, Bethlehem PA
2002
“Fifteen – 15th Anniversary Exhibition,” Haines Gallery, San Francisco CA
“Breathing Room – Fifth Anniversary Exhibition,” Margaret Thatcher Projects, New York
2001
“Documenta USA,” Museum of New Art, Detroit MI
“New Paintings,” Kevin Bruk Gallery, Miami FL
“Leaping Boundaries: A Century of New Zealand Artists in Australia,” Mosman Art Gallery, Sydney AUS
“2001 Catalogue Exhibition,” Gow Langsford Gallery, Auckland NZ
“Silent Auction,” Stark Gallery, New York, NY
2000
“Simple Statements”, Main Gallery, University of Rhode Island, Kingston, RI
“Collector’s Choice”, Museum of New Zealand, Te Papa Tongarewa, Wellington
“Home & Away”, Auckland Art Gallery, Auckland, New Zealand
“Shane Cotton, Tony Fomison, Max Gimblett and Colin McCahon,” a Gow Langsford Gallery Project in
New York
“In Company” Robert Creeley’s Collaborations”, Castellani Art Museum of Niagara University, New York; New York Public Library, New York; Weatherspoon Art Gallery, University of North Carolina at Greensboro, North Carolina; The University of South Florida Contemporary Art Museum, Tampa; Green Library, Stanford University, Stanford, California. Curated by Elizabeth Licata, traveled 1999-2001 (catalogue)
“Beyond Belief: Modern Art and the Religious Imagination”, National Gallery of Victoria, Melbourne, Australia
“Conceptual Ink,” Ethan Cohen Fine Art, New York, NY
“The International Asian Art Fair,” Ethan Cohen Fine Art, New York, NY
“The Full Spectrum,” Auckland Art Gallery, Toi O Tamaki, Auckland, New Zealand
“Think Colour,” Pataka Porirua Museum of Arts & Culture, Porirua, New Zealand; Fisher Art Gallery, Auckland, New Zealand; Hawkes Bay Exhibition Centre, Napier, New Zealand; Waikato Museum of Art and History, Hamilton, New Zealand; Manawatu Art Gallery, Palmerston North, New Zealand; Rotorua Museum of Art and History, Rotorua, New Zealand.
“2000 Catalogue Exhibition,” Gow Langsford Gallery, Auckland, New Zealand
“Works on Paper,” Gow Langsford Gallery, Auckland, New Zealand
1999
“Home & Away”, Auckland Art Gallery, Auckland, New Zealand “Shane Cotton, Tony Fomison, Max Gimblett and Colin McCahon,” Gow Langsford Gallery in New York
“Group Exhibition,” Gow Langsford Gallery, Auckland, New Zealand
“1999 Spring Catalogue,” Gow Langsford Gallery, Auckland, New Zealand
1998
“Gifts from the Patrons of the Gallery”, Auckland Art Gallery, Toi O Tamaki, Auckland, New Zealand
“Parade”, Museum of New Zealand, Te Papa Tongarewa, Wellington “The Arco Gallery of Asian Art Collection Display”, Queensland Gallery of Art, Brisbane,
“Divine”, Waikato Museum of Art, Te Whare Taonga o Waikato, Hamilton, New Zealand
“Leap of Faith”, Gouett-Brewster Art Gallery, New Plymouth, Taranaki, New Zealand
“Vibrations”, Margaret Thatcher Projects, New York, New York
“Absolut Secret”, McKee Gallery, New York, New York
“Signature of the Spirit”, Ethan Cohen Fine Art, New York, New York
“Fifth Semi-Annual Arts of Pacific Asia Show”, Ethan Cohen Fine Art, New York
“Sixth Semi-Annual Arts of Pacific Asia Show”, Ethan Cohen Fine Art, New York
“1998 Spring Catalogue Exhibition”, Gow Langsford Gallery, Auckland, New Zealand
“Achromatic”, Gow Langsford Gallery, Auckland, New Zealand
“Christmas Show”, Gow Langsford Gallery, Auckland, New Zealand
“Open Salvo”, White Box Gallery, New York, New York
“Objects of Desire”, Brenda Taylor Gallery, New York, New York
“The Permanent Collection 1997: Recent Acquisitions”, San Jose Museum of Art, San Jose, California
“The One Chosen: Christ in Recent New York Art” (Catalogue), Thomas J. Walsh Art Gallery, Fairfield University, Connecticut.
“Re-locating Asia”, Auckland Art Gallery, Toi O Tamaki, Auckland, New Zealand
“Harris & Co.”, GowLangsford Gallery, Auckland, New Zealand
"Obsession + Devotion", Haines Gallery, San Francisco, California
"The Chartwell Collection", Auckland Art Gallery, Toi O Tamaki, Auckland, New Zealand
"Tenth Anniversary Spring Catalogue Exhibition", GowLangsford Gallery, Auckland, New Zealand
“Conversations - Works from the Collections”, Auckland Art Gallery, Toi O Tamaki, Auckland, New Zealand
“The Experience of Abstraction” (Traveling), Wollongong City Gallery, Wollongong, Australia
“Balancing Act”, Room, New York, New York
“Christmas Show 1995/6”, GowLangsford Gallery, Auckland, New Zealand
“Catalogue Show”, GowLangsford Gallery, Auckland, New Zealand
"A Very Peculiar Practice: Aspects of Recent New Zealand Painting
" Wellington City Art Gallery, Wellington, New Zealand
"Echoes and Reflections," Auckland City Art Gallery, Auckland, New Zealand
"Calligraphic Expressions," Queensland Art Gallery, Brisbane, Australia
"Schyls Donation," Malmö Konsthall, Sweden
"Group Exhibition," Museum of Contemporary Religious Art, St.Louis University, St.Louis, Missouri
"Works on Paper," GowLangsford Gallery, Auckland, New Zealand
1997
“The Permanent Collection 1997: Recent Acquisitions”, San Jose Museum of Art, San Jose, California
“The One Chosen: Christ in Recent New York Art” (Catalogue), Thomas J. Walsh Art Gallery, Fairfield University, Connecticut
“Re-locating Asia”, Auckland Art Gallery, Toi O Tamaki, Auckland, New Zealand
“Harris & Co.”, Gow Langsford Gallery, Auckland, New Zealand
"Obsession + Devotion", Haines Gallery, San Francisco, California
"The Chartwell Collection", Auckland Art Gallery, Toi O Tamaki, Auckland, New Zealand
"Tenth Anniversary Spring Catalogue Exhibition", Gow Langsford Gallery, Auckland, New Zealand
1996
“Conversations - Works from the Collections”, Auckland Art Gallery, Toi O Tamaki, Auckland, New Zealand
“The Experience of Abstraction” (Traveling), Wollongong City Gallery, Wollongong, Australia
“Balancing Act”, Room, New York, New York
“Christmas Show 1995/6”, Gow Langsford Gallery, Auckland, New Zealand
“Catalogue Show”, Gow Langsford Gallery, Auckland, New Zealand
1995
"A Very Peculiar Practice: Aspects of Recent New Zealand Painting," Wellington City Art Gallery, Wellington, New Zealand
"Echoes and Reflections," Auckland City Art Gallery, Auckland, New Zealand
"Calligraphic Expressions," Queensland Art Gallery, Brisbane, Australia
"Schyls Donation," Malmö Konsthall, Sweden
"Group Exhibition," Museum of Contemporary Religious Art, St.Louis University, St.Louis, Missouri
“Drawing in Tongues,” Stark Gallery, New York, NY
“Alchemy,” Procter Art Center, Annandale-on-Hudson, New York
“Group Exhibition,” Sherman Galleries, Sydney, Australia
“Xmas Show,” Gow Langsford Gallery, Auckland, New Zealand
"Works on Paper," Gow Langsford Gallery, Auckland, New Zealand
1994
"Blake Prize for Religious Art, 1994," The Blaxland Gallery, Sydney, Australia
"On Paper," Solander Gallery, Canberra, Australia
"Consecrations-The Spiritual in Art in the Time of AIDS," Museum of Contemporary Religious Art, St. Louis University, St. Louis, Missouri
"Gold," Palo Alto Cultural Center, Palo Alto, California
"ACAF4.-Fourth Australian Contemporary Art Fair Melbourne," Australia
Langsford Gallery, Auckland, New Zealand
"N.Y. Press," Horodner Romley Gallery, New York, New York
"On Paper," Solander Gallery, Canberra, Australia
"The Crane and The Kotuku," Manawatu Art Gallery, Palmerston North, New Zealand
1993
"Summer Salon '93," Victoria Munroe Gallery, New York, New York
"Invitation to a Review," Horodner Romley Gallery, New York, New York
"The Return of the Cadavre Exquisite," The Drawing Center, New York, New York
"Gallery Artists - Works on Paper," Haines Gallery, San Francisco, California
"Pursuit of the Spirit," The Graduate Theological Union, Flora Lamson Hewlett Library, Berkeley, California
"Blake Prize for Religious Art 1993," The Blaxland Gallery, Sydney, Australia
"Shared Pleasures," Waikato Museum of Art and History, Te Whare Taonga O Waikato, Hamilton, New Zealand
"Recession Remover," Genovese Gallery, Boston, Massachusetts
"Group Show," Gow Langsford Gallery, Auckland, New Zealand
"New Zealand Pavilion, Expo '93, Taejon, Korea," GowLangsford Gallery, Auckland, New Zealand
"The Thickness of White," New Work Studio, Wellington, New Zealand
"The Museum Collection: New Zealand Works," Museum of Contemporary Art, Sydney, Australia
"Intimate Abstraction," Haines Gallery, San Francisco, California
"Bambury, Gimblett, Walters," Jonathan Jensen Gallery, Christchurch, New Zealand (catalogue)
"Full Circle," Gow Langsford Gallery, Auckland, New Zealand
"Tokyo Art Expo 1992," Gow Langsford Gallery, Auckland, New Zealand
1992
"Playing the Field," Horodner Romley Gallery, New York, New York
“Full Circle," Gow Langsford Gallery, Auckland, New Zealand
"Tokyo Art Expo 1992," Gow Langsford Gallery, Auckland, New Zealand
“2 x 4,” Gow Langsford Gallery, Auckland, New Zealand
“Christmas Show,” Gow Langsford Gallery, Auckland, New Zealand
1991
"Inaugural Benefit Exhibition," White Columns, New York
"Important Suites," Genovese Gallery, Boston, Massachusetts
"Special Projects," Haines Gallery, San Francisco, California
"Simply Red," Gow Langsford Gallery, New Zealand
"Cross-Currents: Contemporary New Zealand and Australian Art from the Chartwell Collection," Waikato Museum of Art and History, Hamilton, New Zealand (catalogue)
"Black and White," Gow Langsford Gallery, Auckland, New Zealand
"Blaue Kunst," Gow Langsford Gallery, Auckland, New Zealand
"Christmas Show," Jonathan Jensen Gallery, Christchurch, New Zealand
1990
"Transfigurations," Christopher Leonard Gallery, New York, New York
"It Must Give Pleasure, Erotic Perceptions," Vrej Baghoomian Gallery, New York, New York
"Benglis/Gimblett/Torreano," Genovese Gallery, Boston, Massachusetts
"The Radiant Principle," Penine Hart Gallery, New York, New York
"The Fifth Essence," Gracie Mansion Gallery, New York, New York
"Post Minimalism 1979-1990 An Extended Harvest," Genovese Gallery, Boston, Massachusetts
"Genovese Graphics," The First Church of Christ, Boston, Massachusetts
"Elements, Explorations, and Oppositions," National Art Gallery, Wellington, New Zealand
"Artis Group Show," Artis Gallery, Auckland, New Zealand
"Large Paintings," Gow Langsford Gallery, Auckland, New Zealand
"Works on Paper," Christopher Leonard Gallery, New York, New York
"Christmas Exhibition," Artis Gallery, Auckland
1989
"Methods of Abstraction," Gallery Urban, New York, New York
"New England Impressions: The Master Printers-Genovese Graphics," Fitchburg Art Museum, Fitchburg, Massachusetts
"Homemade: The Nature of Object," Proctor Art Centre Bard College, New York, New York
"Sightings: Drawing with Color," Instituto de Estudios NorteAmericanos, Barcelona, Spain; Pratt Manhattan Gallery, New York; Schafler Gallery, New York, New York
"New Zealand Contemporary Art," Auckland City Art Gallery, Auckland, New Zealand
"Inaugural Exhibition," Artis Gallery, Auckland, New Zealand
"Form and Gesture - Selections from the Permanent Collections," Auckland City Art Gallery, Auckland,
New Zealand
"Group Show," Brooker Gallery, Wellington, New Zealand
"Christmas Exhibition," Artis Gallery, Auckland, New Zealand
1988
White Columns Benefit 1988" White Columns, New York, New York
"The Four Corners of Abstract Painting - 88," I.G.I., New York, New York
"The Gold Show," Genovese Gallery, Boston, Massachusetts
"Signature of the Spirit," Ethan Cohen Gallery, New York, New York
"Genovese Graphics: Ten Years," Bard College, New York, New York
"Spirited Logic," M13 Gallery, New York, New York
"Forms of Geometrism," Mission West Gallery, New York, New York
"Works on Paper," Modernism Gallery, San Francisco, California
"Update 88," White Columns, New York, New York
"Black in the Light," Genovese Graphics, Boston, Massachusetts
"Fine Arts Faculty 88," Pratt Manhattan Gallery, New York, New York
"New Zealand Works from the Permanent Collection," National Art Gallery, Wellington, New Zealand
"Biannual: The Chartwell Collection," Hamilton Arts Centre, Hamilton, New Zealand
"The Hundredth Year: Printmakers at Pratt," Royal Melbourne Institute of Technology, Melbourne, Australia
"Black and White: Images of the Masters," Zack/Schuster Gallery, Boca Raton, Florida
1987
"The Four Corners of Abstract Painting," White Columns, New York, New York
"Solid Abstraction" Saxon Lee Gallery, Los Angeles, California
"Actualities," LedisFlam Gallery, Brooklyn, New York
"Content and Symbol," Artis Gallery, Auckland, New Zealand
Second International Art Fair, Los Angeles, California with Modernism Gallery, San Francisco, California
"Hotere/Gimblett Portfolio," Peter Small Galleries, Wellington, New Zealand
"Romantic Science," One Penn Plaza, New York, New York
"Reduction/Plan," Mission Gallery, New York, New York
"Bigger and Deffer," 541 Sixth Avenue, New York, New York
"Genovese Graphics: Silk Screen Prints 1980-1987," Addison Gallery of American Art, Andover, Massachusetts
"Recent Acquisitions of the Achenbach Foundation for the Graphic Arts," California Palace of the Legion of Honor, San Francisco, California
"Spirit Tracks: Big Abstract Drawings," Manhattan Center Galleries, and Pratt Institute Gallery, Brooklyn,
New York
1986
"20 Years of Abstraction from the Power Gallery Collection," Ivan Dougherty Galleries, Sydney, Australia
"Big Abstract Drawings," Hogarth Galleries, Sydney, Australia
"Paintings on Paper," Artis Gallery, Auckland, New Zealand
"Gold," American Express Company, Selected by MOMA Advisory Department, New York, New York
"Post Post-Modernism," Pyramid Club, New York, New York
"Noted and Promising Artists," Hogarth Galleries, Sydney, Australia
1985
"Precious," Grey Art Gallery and Study Center, New York University, New York
"Neomodern," R.C. Erpf Gallery, New York, New York
"The Non-Objective World-1985," Kamakaze, New York, New York
"Konnichiwa, New Zealand," Nippon Club, New York New York
"Fine Arts Faculty '85," Pratt Institute Gallery, Brooklyn, New York
"New Vision Sees Red," New Vision Gallery, Auckland, New Zealand
"Chartwell Collection Viewing 1985," Hamilton Arts Center, Hamilton, New Zealand
1984
"The Painting and Sculpture Collection," San Francisco Museum of Modern Art San Francisco, California
Leah Ivy Gallery, Los Angeles, California
"Selections form the Chartwell Art Collection," Hamilton Arts Centre, Hamilton, New Zealand
1983
"Acquisitions, 1982/83," Power Gallery of Contemporary Art, Sydney, Australia
"New York I Lingoping," Ostergotlands Landsmuseum, Lingoping, Sweden
"Presentation," Galerie Nordalle, Copenhagen, Denmark
"Seven Painters/The Eighties," Auckland City Art Gallery, Auckland, New Zealand; National Art Gallery, Wellington, New Zealand; Dunedin Public Art Gallery, Dunedin, New Zealand; Sarjeant Gallery, Wanganui, New Zealand; Robert McDougall Art Gallery, Christchurch, New Zealand
"Albrecht, Bambury, Gimblett, Ross," Hamilton Arts Centre, Hamilton, New Zealand
Bosshard Gallery, Dunedin, New Zealand
"The Prospect Collection," Hamilton Arts Centre, Hamilton, New Zealand
"The Collection," Sarjeant Gallery, Wanganui, New Zealand
"Chartwell Trust Collection," Hamilton Arts Centre, Hamilton, New Zealand
1982
"Color: Four Painters - Max Gimblett, Joseph Marioni, Phil Sims, Thorton Willis," Oscarsson Hood Gallery, New York, New York and toured to Galerie Nordenhyake,
Malmo, Sweden; Galerie Numaga, Auvernier, Switzerland
"Collectors X," Marion Koogler McNay Art Institute, San Antonio, Texas
1981
"Ung Amerikansk Kunst Pa Toppen: Max Gimblett, Joseph Marioni, Phil Sims, Thorton Willis," Galerie Arnesen, Copenhagen, Denmark
Peter Webb Galleries, Auckland, New Zealand
"Acquisitions, 1980/81," Power Gallery of Contemporary Art, Sydney, Australia
"Review/Preview, Gallery Artists," Jeffrey Fuller Fine Art, Philadelphia, Penmnsylvania
"Recent Acquisitions - New Zealand Art," Auckland City Art Gallery, Auckland, New Zealand
"Domestic Scale," RKS Art, Auckland, New Zealand
"Opening Group Exhibition," Janne Land Gallery, Wellington, New Zealand
1980
"Color Painting: Max Gimblett, Joseph Marioni, Phil Sims, Thorton Willis," Galleri Engstrom, Stockholm, Sweden and Shirley Cerf Gallery, San Francisco, California
"Working with Bummy Huss Paper," Nielsen Gallery, Boston, Massachusetts
"New Work," Nielsen Gallery, Boston, Massachusetts
"Non-Objective Works on Paper," The Andover Gallery, Andover, Massachusetts
"Recent Acquisitions," Shirley Cerf Gallery, San Francisco, California
"Recent Acquisitions," Lang Art Gallery, Scripps College, Claremont, California
"Recent Acquisitions," National Art Gallery, Wellington, New Zealand
"Group Exhibition," Barry Lett Galleries, Auckland, New Zealand
"Painted Structures," Jeffrey Fuller fine Art, Philadelphia, Pennsylvania
"Drawings from the Collection of Helen Herrick and Milton Brutten", The William
Paterson College of New Jersey, Ban Shahn Galleries, Wayne, New Jersey
1979
"The Implicit Image: Abstract Painting in the '70's", Nielsen Gallery, Boston, Massachusetts
"Three Color Artists: Sydney Ball, Virginia Cuppaidge, Max Gimblett," Powell Street Gallery, Melbourne, Australia
"Contemporary Collectors," J.B. Speed Museum, Louisville, Kentucky
"Recent Acquisitions," Auckland City Art Gallery, Auckland, New Zealand
"Works on Paper," Barry Lett Galleries, Auckland, New Zealand
"Gallery Group Show," Casat Gallery, La Jolla, California
"Indiana/NY," Washington Gallery, Indianapolis, Indiana
1978
Betty Cuningham, New York, New York
"Works on Paper: Gallery Artists," Nielsen Gallery, Boston, Massachusetts
Axiom Gallery, Melbourne, Australia
Barry Lett Galleries, Auckland, New Zealand
"New York Artists" Swearington Gallery Louisville, Kentucky
1977
"Opening Show: New Painting Gallery," Nielsen Gallery, Boston, Massachusetts
Cuningham Ward Gallery, New York, New York
"Collectors X," Marion Koogler McNay Art Institute, San Antonio, Texas
Morris A. Mechanic Theatre Gallery, Baltimore, MD
1975
"Contemporary Reflections, 1974-75," Aldrich Museum of Contemporary Art, Ridgefield, CT
1974
"3 Painters: John Elderfield, Max Gimblett, David Reed," Cuningham Ward Gallery, New York, New York
"Second Annual New Talent Festival - Max Gimblett,
Pierre Haubensak, Jeff Way," Willard Gallery, New York, New York
1971
Fort Worth Art Center Museum, Fort Worth, Texas
Dallas Museum of Fine Arts, Dallas, Texas
"Texas Painters," Bank of Texas, Houston, Texas
A Clean Well Lighted Place, Austin, Texas
1970
Indianapolis Museum of Art, Indianapolis, Indiana
Indiana University, Bloomington, Indiana
Laguna Gloria Art Museum, Austin, Texas
Editions Ltd., Indianapolis, Indiana
AWARDS, GRANTS, RESIDENCIES, AFFILIATIONS
2008 Laila Foundation Artist in Residence at HuiPress, Maui, HI
2005 Artist in Residence, Elam School of Fine Art, Auckland University, Auckland, New Zealand
2004 Artist in Residence, Elam School of Fine Art, Auckland University, Auckland, New Zealand
2003 Best In Category (editorial and books), with Arch MacDonnell, Designers Institute of New Zealand 2002 Artist in Residence, with Lewis Hyde. Oxherding. Anderson Ranch Arts Center, Snowmass Village, Colorado.
1993 Inaugural Artist in Residence, Queensland University of Technology,
Academy of the Visual Arts, Brisbane, Australia
1991 The Getty Center for the History of Art and the Humanities, Santa Monica, California. J. Paul Getty Associate
1991 Rockefeller Foundation Artist in Residence, Bellagio, Italy
1989 National Endowment for the Arts, Washington, DC, Painting Fellowship
1986 Queen Elizabeth II Arts Council of New Zealand, Grant
1980 Queen Elizabeth II Arts Council of New Zealand, Grant
SELECTED BIBLIOGRAPHY
2008
Cunnane, Abby. “Eternal Questions,” New Zealand Listener, june 21-27 2008, Vol. 214.
2007
McNamara, Terry J. “Dear patros, wish you were here…,” The New Zealand Herald, 25 October 2007.
Hewitson, Michele. “The Michele Hewitson Interview: Max Gimblett,” New Zealand Herald –
Weekend Herald, October 2006.
2006
“Portraits highlight traditional methods,” The New Zealand Herald, March 22, 2006.
Gergen, Kenneth J. “The Relational Self in Historical Context,” International Journal for Dialogical Science, Spring 2006. Vol. 1, No. 1, pp 119-124.
2005
McEvilley, Thomas. “The Shape of Energy,” Art in America, October 2005.
Paul, Joanna Margaret. “Inventories,” Visual Arts, February 28, 2005
de Garis, Kirsty. “ The Max Factor,” belle Magazine, April/May 2005.
Hudsucker, Rudolph. “Max Gimblett: The Long Path Home,” White Fungus, Issue #2.
“The art of painting by numbers,” The New Zealand Herald, July 13, 2005.
2004
Wedde, Ian. “Action Man,” New Zealand Listener, December 11-17, 2004, Vol. 196.
Green, Tony. “The Brush of All Things; A Mirror for Max,” Art New Zealand, Spring 2004, Number 112,
pp. 79-83.
McNaught, Josie. “Search for shadow self,” The New Zealand Herald, June 16, 2004, p. B9.
Wong, Gilbert. “Pure Wind: Gilbert Wong finds that painter Max Gimblett and Buddhism are inseparable,” Metro, pp. 98-99.
Harrison, Helen A. “The Allure of Gold and Glitter,” New York Times, January 4, 2004
McElroy, Joseph. “A Poetry of Transience,” Shambala Sun, March, 2004.
2003
Cotter, Holland. “Finding Surprises as They Are Turned Up by the Karma Wheel,” New York Times,
November 7, 2003
Gilliatt, Mary. “The Max Factor,” New Zealand Home and Garden, August 2003, pp. 138-144.
McAloon, William. “Wystan Curnow and John Yau: Max Gimblett,” The Journal of New Zealand Art History, vol. 24, 2003, pp. 102-103.
McNamara, Terry, J. “Burning Bright in the Mind,” New Zealand Herald, June 12, 2003.
Sharp, Iain. “Max Gimblett,” Sunday Star Times, February 16, 2003, sec bookmarks.
Shaw, Peter. “Illustrated Works,” Urbis Magazine, winter 2003, pp. 140-144.
Simpson, Peter. “Wystan Curnow and John Yau: Max Gimblett,” The New Zealand Herald, March 19.
Turner, Jane. “Shelf Life,” New Zealand Home and Garden, July 2003, p. 60.
2002
Brown, Phil. “Drawing Room,” Brisbane News, May 27.
Kirker, Anne. “Max Gimblett: The Language of Drawing,” Antiques and Art in Queensland, April, pg. 26.
Martin-Chew, Louise. “Spiritual Quest for the Essential Truth,” The Australian, June 3.
McLean, Sandra. Courier Mail, Brisbane, May 25
Ocana, Damarys. “Quiet Time,” Street Miami, March 8 – 14, page 47.
Thompson, Will. “Max Cleans Up,” New Zealand Herald, July 8, 2002, p. B6.
2001
Cotter, Holland. “Poetry Plastique,” New York Times, February, 23.Hannah, Dorita. “The Mad Monk of Manhattan,” Urbis Magazine, Summer. p. 40 - 44.
McCarroll, Jo. “Devoted to a Vision,” Sunday Star Times (New Zealand), July 22, pg. F3.
McNamara, Terry J. “Mystery Beyond Labels,” New Zealand Herald, July 30, pg. B5.
Tabios, Eileen. “How Painting Transcends Painting,” Review New York, 12 pages.
“Max Gimblett and John Yau – Ink Paintings & Poems in Ink at Ethan Cohen Fine Arts,” Review New York, 2001.
2000
Ebony, David. “Max Gimblett at Margaret Thatcher,” Art in America, January
“Max Gimblett: A major gift of contemporary drawings,” Art Lines, July - August, p.8-9.
1999
Simpson, Peter. “Seductive work shows artist at his most potent,” Star-Times, Nov 28.
Curnow, Wystan. “Max Gimblett,” Art Asia Pacific, Issue 23, pg. 107
McNamara, Terry J. “Hail three wise men,” Hereld, Weekend Edition, November
Morgan, Robert, “Max Gimblett: Bridge at Margaret Thatcher Projects,” Review, pg. 14, May 15.
1998
Daly-Peoples, John, “Simple Art Made Conceptual”, NBR Weekly Magazine, pg. 65, August 7.
McNamara, Terry J. “Majesty, Heat and Power”, New Zealand Herald, August 8-9.
1997
Amery, Mark, “ US-based Kiwi Home to Show” Welling Evening Post, October 22.
Corner, Cathy, “Golden Treats”, Voice, October 16.
Kirker, Anne, “Gimblett Reflects: Max Gimblett in Conversation with Anne Kirker”,
Eyeline-Contemporary Visual Arts, Summer 1997/98 No. 35, pg. 14-17
“Intimate Stream of Possibilities,” New Zealand Herald, March 7.
McNamara, Terry. "Intimate Stream of Possibilities", New Zealand Herald, March 7
1996
Mark Amery, "Forge 1984-1996. Gimblett Forges on with Shapes from his Past", Sunday Star Times
(New Zealand), March 10.
David Bonetti, "Artists Who Take Abstraction to Ground Zero", San Francisco Examiner, April 12.
Blair French, "Staying Alert to Change", Art Monthy Australia, July # 91, p. 28
Sebastian Smee, "A Headlong Dive into Cultural Theory", Art Monthly Australia, August 1996, p. 21
1995
Felicity Fenner, "Remembered", Sydney Morning Herald, June 16
Terry McNamara, "Simplicity's Powerful Impact", New Zealand Herald, June 21 Section 3, pg. 11
1993
Pat Baskett, "Archpriest of Alchemy," New Zealand Herald (Auckland), August 26, Section 2, pg.1.
Terry McNamara, "Lyric Style with Shapes", New Zealand Herald, August 12
Diana Renker, "Reflections, Recent Paintings by Max Gimblett", Art New Zealand, number 67 Winter 1993,
pp. 74-78, 106.
1992
Linda Michael, "The Museum Collection: New Zealand Works," Museum of Contemporary Art, Sydney.
Lita Barrie, "Max Gimblett, Iconic Abstraction", Artspace, Sept/October, Los Angeles
Elwyn Lynn, "Headlands: Thinking Through New Zealand Art", Museum of Contemporary Art, Sydney, The Weekend Review, April 11
1991
David Bonetti, "Geometric Art Comes Full Circle," San Francisco Examiner, Jan 18.
Mary Hull Webster, "Max Gimblett," Artweek, November 7, 1991, Vol. 22, p. 16
1990
John Daly Peoples, "Transforming Base Elements," NBR Weekly Magazine, April 27, 1990, p. 23
Cate McQuaid, "Expansive Expression," South End News, March 1, pp. 11-12.
1988
Jeremy Gilbert-Rolfe, "Pick of the Week," L.A. Weekly, January 15
Terry J. McNamara, "Art," New Zealand Herald, August 11, pg. 2
Peter Shaw, "Max Gimblett and the Power of Color," Metro, August 14.
Patrick Smith, "The Fine Art of Gimblett," The Sunday Star, August 14.
1987
Tony Green, "Max Gimblett Making Pearls," Art New Zealand, Spring, pg. 56-59
Ellen Handy, "Actualities," Arts Magazine, November 1987, pp.108-9.
Amelia Jones, "Room for conceptual Experimentation," Art Week, December 19, Vol 18, No. 4.
Terry J. McNamara, “New York Meets Pacific,” New Zealand Herald, September 1, Section 2, pg. 14.
Vivien Raynor, “Max Gimblett,” New York Times, January 10, pg. 24.
Linda Van Nunen, "Max Gimblett," Studio Collections, Feb/March 1987, pp. 248-249
1986
Nancy Grimes, "Max Gimblett," Art News, March 1986, pp 140-141
Elwyn Lynn, "Easy Way to Knock off a Picasso," The Australian, August, pg 16-17.
Terry Snow, "Embrace of the Abstract," New Zealand Listener, September 6, pp. 59-62
1985
Terry J. McNamara, "Instant Discharge of Stored Energy," New Zealand Herald July 22, 1985 Section 1,
pg. 12.
Stephen Westfall, "Max Gimblett at R. C. Erpf," Art in America Feb 1985, p. 142
Francis Pound, Forty Modern New Zealand Paintings, Auckland Penguin Books.
1984
Anne Kirker, "A Visit to Max Gimblett," Art New Zealand, Winter, no. 31, pp. 36-39
Steven Henry Madoff, "Silence and Attention, Max Gimblett's Island," Arts Magazine November 1984,
pg. 1.
Margaret Moorman, "New Editions," Art News, October 1984, pp 103-4
James Ritchie, "Zen Reality Created," New Zealand Listener, September 22, pp. 36-27
1983
Elva Bett, "Review," Dominion, May 2, 1983.
New Zealand Art: A Modern Perspective, pg. 52, 1 color plate, #22
Wystan Curnow, "Seven Painters/The Eighties, The Politics of Abstraction," Art New Zealand, October 1983, #23, pp. 34-39, 56
Bridie Lonie, "Seven Painters, The Eighties," Otago Daily Times, March 14, 1983
Elwyn Lynn, "The Power Gallery of Contemporary Art Acquisitions, 1981-83," Art & Australia, Summer 1983, Vol 21 No. 2, pp. 217-222
Rob Taylor, "Seven Painters: The Eighties," Salient, May 23, 1983, p. 13
1982
Asa Berntsson, "Review," Sydsvenska Daqbladet Snallposten, February 22, 1982
Britte Cedarstam, "Review," Skanska Daqbladet, November 13, 1982
Derek Schultz, "Differences of Intention," New Zealand Listener, October 9 1982, p. 35
Linda Gill, "The Eighties," Insight, Vol 3, No 1, Nov/Dec 1982
Gerrit Henry, "Color: Four Painters," Art News, April 1982 pp. 219-220
Hans Janstad, "Review," Arbetet, October 30, 1982
Hans Johansson, "Konst Som Konst," Arbetet, February 23, 1982
Michelle Meyers, "Color: Four Painters," Flash Art, Feb/March 1982, p. 58
Ann Schoenfeld, "Monochrome Met," Arts Magazine, March 1982
1981
Leonard Bell, "Max Gimblett - New Paintings," Art New Zealand, Spring 1981
Gordon Brown, "Review," Auckland Star, August 10, 1981, p. 17
Terry J. McNamara, "Interaction," New Zealand Herald, August 10, Section 1, p. 8
1980
Thomas Albright, "Abstract Mountains and Dramatic Bullseyes," San Francisco Chronicle, November 18.
Suzan Boettger, "Painting - Made Simple of Simplistic?," Art Week, April 5, pp. 7-8
Gordon Brown, "Pap Pulp, and Pigment Pieces," Auckland Star, August 20, 1980, p.15
Terry J. McNamara, "Paper Art," New Zealand Herald, August 18, Section 1, p. 9
1979
Michael Adamowiez, Kenneth Hocaberg, "Max Gimblett -Reflections," The College Voice, February 13.
Andrew Bogel, "Some Contemporary New Zealand Printmakers and Their Process of Work," Art New Zealand, #14, 1979, pp 36-43
Gordon Brown, "Review," Auckland Star, June 20, 1979
John Coley, "Piece of New York Comes to the City," Christchurch Star, July 1979
John Coley, "Color and Mysticism," New Zealand Listener, August 11, 1979, p.24
Marion Simon Garmel, "Review," Indianapolis News, February 8, 1979
1980
Terry J. McNamara, "Positive Sense of Direction," New Zealand Herald, June 16, Section 1, p 8
Michael Thomas, "Paintings - A Challenge," The Press, July 21, 1979
1979
Ian Wedde, "Seven Take a Serious Path," The Evening Post (Wellington), June 14.
1978
Saul Gylys, "Simplicity Misleading," The Daily Texan, September 15, 1978, p. 25
Sarah Lansdell, "Review," Courier-Journal (KY) September 26, 1978
Steven Henry Madoff, "Gimblett Paintings Reveal Vibrancy and Simplicity," Austin American-Statesman, September 10, 1978, p. 26
Steven Henry Madoff, "Max Gimblett's Emblems of Perception," Art Week (Oakland) Vol 9, No. 30, September 16, 1978, p. 5
Mary McIntyre, "Gimblett Paintings Reveal Vibrancy and Simplicity," Austin American-Statesman, September 10, 1978
Mary McIntyre, "Max Gimblett's Emblems of Perception," Artweek, September16.
Terry J. McNamara, "Contrast in Art Show," New Zealand Herald, May 10, 1978
Kevin Teare, "Maxwell Gimblett," Arts Magazine, April 1978, p. 6
1977
Terry J. McNamara, "Review," New Zealand Herald, July 27, 1977
1976
Ellen Lubell, "Reviews," Arts Magazine, Summer.
1974
John Gruen, "On Art," Soho Weekly News, March 21, 1974, p. 14
1971
Jan Butterfield, "Texas," Arts Magazine, Summer 1971, p. 46
Janet Kutner, "Scene in Art", Dallas Morning News, April 12.
Charlotte Moser, "Painter's Works Deceiving," The Daily Texan, May 2, 1971
BOOKS AND CATALOGUES
2007
Park, Hye-eun. Simulasian, ACAF NY 07/Asian Contemporary Art Fair, Misool Sarang Publications Inc.,
Seoul, Republic of Korea.
2006
Gimblett, Max. Searching – Selecitons from the artist’s Journals chosen & arranged by Alan Loney, Holloway
Press, Auckland University. 60 pgs, 2 original ink drawings, Edition of 80.
2005
Wystan Curnow. MGM – Four Notes on McCahon, Gimblett, and Motherwell.
2004
Wystan Curnow, Thomas McEvilley, and Barbara Kirshenblatt-Gimblett, Max Gimblett: The Brush of All
Things, Auckland Art Gallery Toi o Tamaki, New Zealand. 72 pages.
Whitwell, Mark. Yoga of Heart – The Healing Power of Intimate Connection, Lantern Books.
All That Glitters, Islip Art Museum, East Islip, New York, curated by Karen Shaw
2003
Wystan Curnow and John Yau. Max Gimblett, Craig Potton Publishing Co. & Gow Langsford Gallery, New
Zealand, 172 pages, 123 color plates
Hatchadoorian, Lisa. Max Gimblett: A Shared Language. Pfizer, Inc., New York, 8 pages, 11 color plates.
2002
Kirder, Anne. Max Gimblett: The Language of Drawing. Queensland Art Gallery, Brisbane, Australia.
Loney, Alan and Gimblett, Max. Mondrian’s Flowers. Granary Books, New York, 60 pages, 4 monoprints.
1 original water color. Edition of 41.
2001
Yau, John, Hines, Tobin, and Gimblett, Max. Double Headed Creature Feature. Handletter Press Artist’s Book, Makeshift Press, Atlanta, Georgia, 50 copies.
2000
Think Colour – Art is Never Just Black and White. Pataka Porirua Museum of Arts & Culture, Porirua, New
Zealand, curated by Helen Kedgley, 16 pages.
1999
In Company: Robert Creeley’s Collaborations. Castellani Art Museum of Niagara University, Weatherspoon Art
Gallery, University of North Carolina at Greensboro. Co-edited by Amy Cappellazzo and Elizabeth Licata.
108 pages
Schenkung zum Dank an Dieter Koepplin. Freunde des Kunstmuseums und des Museums für
Gegenswartskuns. Edited by Anita Haldemann. Published by Richter Veriage, Düsseldorf. 184 pages.
At Home with Art, by Estelle Ellis, Caroline Seebohm, Christopher Simon Sykes. Clarkson Potter Publishers,
New York. 246 pages.
Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection. Auckland Art
Gallery, Toi o Tamaki, Auckland. Text and curated by William McAloon. 143 pages.
Modern Illustrated Books, Catalogue 215. Ursus Rare Books, New York. Items 209-210.
1998
Beyond Belief: modern Art and The Religious Imagination. National Gallery of Australia, Melbourne. Edited by
Rosemary Crumlin. 208 pages.
Creeley, Robert, and Gimblett, Max. The Dogs of Auckland, Holloway Press.
1997
The One Chosen – Images of Christ in Recent New York Art by James R.S.J. Blaettler, Thomas J. Walsh Art
Gallery at Fairfield University, Connecticut.
New Zealand Modernism - The Content of Form. Paintings from the Gibbs Collection, Edited by James Ross.
111 pages.
Contemporary New Zealand Art 1, by Elizabeta Caughey and John Cow. 111 pages.
1996
New Zealand Modernism: Expressionism, Figuration. Painting from the Gibbs Collection. Edited by James
Ross. 111 pages.
Contemporary Painting in New Zealand by Michael Dunn; published by Craftsman House, Roseville East,
Australia. 236 pages.
The Experience of Abstraction, Wollongong City Gallery, Wollongone, Australia. Essay by Norbert Lynton. 36
Pages. 6 Color.
1995
100 New Zealand Paintings by Warwick Brown. Godwit Publishing. 215 pages. 100 illusstrations. 100 in color.
New Zealand Modernism - in Context. Paintings from the Gibbs Collections. Edited by James Ross. 111 Pages.
Schyls Donation, The Schyls Collection, Malmö Konsthall, Sweden. Text by Sune Nordgren.
A Very Peculiar Practice – Aspects of Recent New Zealand Painting. Wellington City Art Gallery, Wellington.
Text by Allan Smith and Leigh Davis.
1994
The Crane and the Kotuku - Artistic Bridges between New Zealand and Japan, by Dianne and Peter Beatson,
Manawatu Art Gallery, Palmerston North, New Zealand. 138 Pages.
A.C.A.F.4. Fourth Australian Contemporary Art Fair. By Jonah Jones, Nancy Cato, Greg Collins, Rhonda
Galbally, and Georffrey Legge. 128 pages. 184 illustrations. 105 in color.
1993
Tradition and Change - Contemporary Art of Asia and the Pacific, University of Queensland Press, edited by
Caroline Turner. 212 pages
Max Gimblett: Crossing Full Tilt. Horodner Robley Gallery, New York, text by Stuart Horodner & interview
with Max Gimblett. 12 pages.
Walters Gimblett Brambury. Jonathan Jensen Gallery, Christchurch, New Zealand. Text by Lita Barrie. 30 pages
1992
Max Gimblett: Paintings 1975-1991 by Diana Renker
Mutiny and the Mainstream: Talk that Changed Art, 1975-1990 Edited by Judy Seigel. Midmarch Arts Press.
360 Pages
Max Gimblett: Objects of Alchemy Gow, Langsford Gallery, Auckland, Tokyo Art Fair. Essay by Wystan
Curnow
The Crucifixion Through the Modern Eye, Hearst Art Gallery, Saint Mary’s College of California, Moraga,
California.
1991
The Artist Project: Portraits of the Real Art World/New York Artists 1981 - 1990 by Peter Bellamy. IN
Publishing, New York. 256 Pages
A Concise History of New Zealand Painting by Michael Dunn. Craftsman House,
Cross Currents: Contemporary New Zealand and Australian Art From the Chartwell Collection, Waikato
Museum of Art and History, Hamilton, New Zealand. Essay by Linda Tyler.
Wiedersehen mit Amerika: Kreuz und Queer durch die Usa, by Frederik Hetmann. Hamburg: Rowohlt
Taschenbuch Verlag.
1990
Two Hundred Years of New Zealand Painting, enlarged edition. By Gil Docking and Michael Dunn, Auckland.
Published by David Bateman Ltd. 248 pages.
Objects of Alchemy, Artist Gallery, Auckland. Essay by Wystan Curnow. 10 Pages
1989
National Endowment for the Arts 1989 Annual Report. By John E. Frohnmayer. 240 pages. 46 illustrations.
1988
Sightings: Drawing with Color. Pratt Institute, New York - Instituto de Estudios Northeamericanos, Barcelona.
Essay by Donald Kuspit. 23 color plates. 67 pages.
International Gallery Invitational NY88. A Project of International Art Expositions, NY. 163 pages
Update 1987-88 published by White Columns, New York. Introduction by Bill Arning. 22 pages
Spirited Logic published by M13 Gallery, New York. Text by Nancy Grimes. 18 pages
The Hundredth Year: Pratt's Printmakers, published by RMIT Gallery, Melbourne, Australia
1987
Content and Symbol, published by Artis Gallery, Auckland
Actualities, published by LedisFlam, Brooklyn, New York. 6 color plates, 16 pages
1986
New Zealand Art: A Modern Perspective by Elva Bett, Auckland, New Zealand. Reed Methuen Publishers Ltd.,
New Zealand
Pearls of the Pacific: Recent Paintings and Works on Paper by Max Gimblett, Hogarth Galleries, Sydney,
Australia. Introduction by Elwyn Lynn, text by Ken Sofer. 4 color plates, 12 pages
Spirit Tracks: Big Abstract Drawings Pratt Manhattan Center Gallery, New York and Pratt Institute Gallery,
Brooklyn. Introduction by Max Gimblett and Eleanor Moretta. 36 pages
1985
Precious Grey Art Gallery and Study Center, New York University, New York. Text by Thomas W.
Sokolowski. 27 color plates. 84 pages.
The Painting and Sculpture Collection San Francisco Museum of Modern Art, San Francisco, California.
Introduction by Katherine Church Holland, Text by Henry T. Hopkins. 402 pages
Forty Modern New Zealand Paintings by Francis Pound, published by Penguin Books, Auckland
Two Hundred Years of New Zealand Painting. Revised Enlarged Edition, Gil Docking and Michael Dunn. 248
pages
1984
Transformation - Recent Paintings by Max Gimblett, Auckland City Art Gallery, Auckland. Text by Wystan
Curnow. 2 color plates. 20 pages.
1983
Power Gallery of Contemporary Art - Acquisitions 1982/3 Power Institute of Fine Arts, University of Sydney,
Australia. Forward by Elwyn Lynn. 8 color plates. 36 pages
1982
Color: Four Painters - Max Gimblett, Joseph Marioni, Phil Sims, Thornton Willis. Oscarsson Hood Gallery,
New York and Galerie Nordenhake, Sweden. Text by Jesse Murray. 4 color plates. 28 pages.
Seven Painters/The Eighties Sarjeant Gallery, Wanganui, New Zealand (traveling exhibition); Robert McDougall
Art Gallery, Christchurch; Dunedin Public Art Gallery, Dunedin; National Art Gallery, Wellington; Auckland
Cit Art Gallery, Auckland. Text by Derek Schultz. 7 color plates. 48 pages.
1981
Max Gimblett Modernism Gallery, San Francisco. Texts by Ronny H. Cohen and Mary Lee Thompson,
Interview with Wystan Curnow. 6 color plates. 40 pages.
Power Gallery of Contemporary Art - Acquisitions 1980/1, Power Institute of Fine Arts, University of Sydney,
Australia. Foreword by Elwyn Lynn. 5 color plates. 40 pages.
1980
Color Painting: Sims, Marioni, Laswon, Hafif, Gimblett. Shirley Cerf Gallery, San Francisco, California. Text by
Phil Slims. 4 color plates. 12 pages.
Drawings From the Collection of Helen Herrick and Milton Brutten Ben Shahn Galleries, New Jersey.
Introduction by Nancy Einreinhofer. 20 pages.
1979-80
Acquisitions 1979/80, National Art Gallery. Wellington, New Zealand. Introduction by Luit Bieringa. 6 pages.
1979
Max Gimblett. New Zealand Embassy, Washington DC. Introuction by H.E. Ambassador Merwyn Norrish. 1
color plate. 4 pages.
Collecting Contemporary Art The J B Speed Art Museum, Louisville, Kentucky. Introduction by Addison F.
Page and Stiles Tuttle Colwill. 8 pages.
Recent Acquisitions, Works on Paper 197-79. Auckland City Art Gallery, Auckland. Introduction by Andrew
Bogle. 32 pages.
1978
Max Gimblett Marion Koogler McNay Art Institute, San Antonio, Texas (travelling) and Laguna Gloria Art
Museum, Austin, Texas. Text by Barbara Zabel. 4 color plates. 12 pages.
1974/5
Contemporary Reflections The Aldrich Museum of Contemporary Art, Connecticut. Introduction by Larry
Aldrich. 32 pages.
TELEVISION AND AUDIO-VISUAL PROGRAMS
2008
Kim Hill2005 “Max Gimblett – all mind, no mind” Directed by Suzi Jowsey Featherstone. TVNZ. NTSC/DVD.
2004
“The Brush of All Things”. Directed by Roger Taberner. DVD/VHS/NTSC Color, 33 minutes. An Auckland
Art Gallery Production, Auckland, New Zealand.
2002
“Max Gimblett: The Language of Drawing”. Videocassette VHS/NTSC Colour, 24 Minutes. Queensland Art
Gallery, Brisbane, Australia.
1992
"Max Gimblett-Sunday-8-18-91" Directed by Michael Barry. Videocassette VHS. Color, 20 minutes. TVNZ
Enterprises, Box 30945, Lower Hutt, New Zealand.
1989
Max Gimblett at Genovese Gallery, Boston. "Four to the Fourth," directed by Richard Cugina. Video cassette
T30 VHS. Color, 20 minutes.
1984/5
"Max Gimblett," Kaleidoscope, directed by Kerry Fowler, South Pacific Television, Broadcasting Corporation of
New Zealand. Natural 30 video cassette. NV-E30-VHS. Color, 30 minutes.
1978
"On Exhibit--Max Gimblett at Laguna Gloria, First Federal," with Laurence Miller. Video cassette UCA 60.
Color, 29 minutes.
SELECTED PUBLIC COLLECTIONS
Achenbach Foundation, San Francisco, California
Art Gallery of New South Wales, Sydney, Australia
Art Gallery of Queensland, Brisbane, Australia
Auckland Art Gallery, Toi O Tamaki, Auckland
Auckland City Art Gallery, Auckland, New Zealand
Auckland Museum, Auckland, New Zealand
Auckland City Library, Auckland, New Zealand
Auckland War Memorial Museum, Te Papa Whakihiku, Auckland, New Zealand
Auckland University Library, Auckland, New Zealand
Bank of Texas, Houston, Texas
Bodleian Library, Oxford University, Oxford, England
British Library, London, England
Best Products Company, Ashland, Virginia
Chartwell Collection, Hamilton, New Zealand
Connecticut College, New London, Connecticut
Dunedin Public Art Gallery, Dunedin, New Zealand
Electricorp, Wellington, New Zeland
Fay Richwhite Collection, Auckland, New Zealand
Fletcher/Challenge Corporation, Wellington, New Zealand
Future Group, Auckland, New Zealand
Galatea, San Francisco, CA
The Getty Center Institute for the History of Art & the Humanities, Los Angeles, California
Govett-Brewster Art Gallery, New Plymouth, New Zealand
Grey Art Gallery, New York University, New York
Harris Collection, Brown University, Providence, Rhode Island
Herbert H. Lehman College, New York, New York
Joan Flasch Artist’s Book Collection of the School of the Art Institute of Chicago, Chicago, IL
Kansai Gaidai University, Osaka, Japan
Karl Ernst Ostahaus-Museum der Stradt Hagen, Hagen, Germany
Kunsthall Malmo, Malmo, Sweden
Laguna Gloria Art Museum, Austin, Texas
Lang Art Gallery, Scripps College, Claremont, California
Library of Congress, Dept. of Special Collections, Washington, D.C.
Lincoln University, Christchurch, New Zealand
Louisville Art Gallery, Louisville, Kentucky
Marion Koogler McNay Institute, San Antonio, Texas
Marquette University, The Haggerty Museum, Milwaukee, Wisconsin
Millennium Partners Four Seasons Hotel, San Francisco, CA
Ministry of External Relations, Wellington, New Zealand
Museum of Modern Art, New York, NY
Museum of Contemporary Art, Sydney, Australia
Museum of New Zealand, Te Papa Tongarewa, Wellington, New Zealand
National Art Gallery, Wellington, New Zealand
National Gallery of Australia, Canberra, Australia
National Gallery of Art, Washington D.C.
National Westminster Bank, New York, New York
New Arts Program, Lehigh Valley and Berks, Pennsylvania
New Zealand Embassy, Washington, DC; Tokyo, Japan; Jakarta, Indonesia
New York Public Library, New York
Oeffentliche Kunstsammlung, Basel, Switerland, Dieter Koppline donation
Ohio State University Library, Dept. of Special Collections, Columbus, Ohio
Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Pfizer Inc., New York
Prudential Insurance Company of America, Newark, New Jersey
Queensland Art Gallery | Gallery of Modern Art, Brisbane, Queensland, Australia
San Francisco Art Institute, Anne Bremer Memorial Library
San Francisco Museum of Modern Art, San Francisco, California
San Jose Museum of Modern Art, San Jose, California
Sarjeant Gallery, Wanganui, New Zealand
Schyls Collection, Malmo Konsthall, Sweden
Scripps Medical Clinic, La Jolla, California
Smith College Library, Mortimer Rare Book Room, Northampton, Massachusetts
Stanford University, Green Library, Dept. of Special Collections, Stanford, California
State University of New York – Buffalo, Poetry/Rare Books, Buffalo, New York
Suter Museum, Nelson, New Zealand
Turnbull Collections Library, Wellington, New Zealand
University of Alberta Library, Dept. of Special Collections, Edmonton, Alberta, Canada
University of Arizona, Dept. of Special Collections, Tucson, Arizona
University of California Los Angeles Library, Dept. of Special Collections, Los Angeles, California
University of California San Diego, Mandeville Library, Dept. of Special Collections, La Jolla, California
University of California Santa Barbara, Dept. of Special Collections, Santa Barbara, California
University of Connecticut, Dodd Research Center, Storrs, Connecticut
University of Delaware, Morris Library, Dept. of Special Collections, Newark, Delaware
University of Georgia Library, Dept. of Special Collections, Athens, Georgia
University of Iowa, Dept. of Special Collections, Iowa City, Iowa
University of Melbourne, Victoria, Australia
University of Minnesota, Dept. of Special Collections, Elmer L. Anderson Library, Minneapolis, Minnesota
University of New South Wales, Sydney, Australia
University of Santa Clara, de Saisett Mueum, Santa Clara, CA
University of Wisconsin, Kohler Art Library, Elvehjem Museum of Art, Madison, Wisconsin
Victoria University Library, Wellington, New Zealand
Waikato Art Museum, Te Whare Taonga O Waikato, Hamilton, New Zealand
Whitney Museum of American Art, New York
Yale University, Beinecke Rare Book Library, New Haven Connecticut
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